May 28, 2012

Spoof Twitter accounts: marketing headache or the new satire?

The Queen and Mark Zuckerberg have one. George Osborne (though only when drunk) has one. Even Angelina Jolie’s right leg has one. Spoof celeb Twitter accounts are taking their place in satire, and becoming the new Spitting Image. And they’re not always unwelcome: Iain Duncan Smith was reportedly unfazed by his spoof alter-ego tweeting such insights as “Last night was messssyyyy!!!! Nothing beats G-A-Y on a Saturday night with Theresa May”.



Sometimes, the laissez faire approach is the best one to take. Being too heavy handed with satirists can make you look humourless at best, and aggressive at worst. But there is a line between spoofing a celebrity (or brand) and impersonating them, however blurred. The spoof @QantasPR account was suspended by Twitter after Qantas complained that it was ‘confusing customers’, which goes against Twitter’s rule that: “You may not impersonate others through the Twitter service in a manner that does or is intended to mislead, confuse, or deceive others”.




However, Twitter recognises the value of these parody accounts and their loyal followers, and has actually created guidelines for them, which emphasise that the spoof account should be named as such (e.g .‘@NotCelebrity’) and that the bio should clearly state that the account is a parody.
Cricketer Shane Warne was among those to be fooled by the spoof account, when Qantas lost his luggage in January this year. Marketingexposure.net reports him tweeting: “I thought you were meant to look after Australians, not be sarcastic…You too often are late, cancel flights and lose luggage.” He followed it up with: “Actually your lack of sympathy towards all those passengers you left stranded is quite simply staggering. SORRY might help everyone.”

The spoof of 2011 (and my personal favourite) was the much-loved @ShippamsPaste (“hi i used to be the social media EXECUTIVE intern for shippams paste!!! i tweeted to help you engage with our brand!!! but it turned out i wasnt real ”). There was much debate about whether the tweets were ‘brilliant parody’ from the brand itself, but in fact “Ben”, the social media intern (later promoted to ‘social media EXECUTIVE intern’) behind the account turned out to be Ed Jefferson, an account manager from London. Shippam’s felt they were losing control of how the brand was portrayed online. ‘Ben’ was getting real questions from consumers, and answering them ("theres no vegetarian pastes sorry but why not try the crab spread its only crabs"). As a result, Twitter ordered Ben to make the joke clear, and in November 2011 the tweets stopped. Shippam’s spokesperson Paul Smith, quoted on the BBC, showed the brand ‘got the joke’, saying: “I know people will miss Ben. He really touched a chord with people.”

Less funny, perhaps (from the brand’s perspective at least), is BP’s spoof account, @bpglobalpr. Tweets such as: “ATTN Smokers: Do you love messing with carcinogens, but you hate the taste? Eat gulf shrimp! #FDA #bpcares” and (this in response to a concerned consumer) “We're sorry you're upset. Please send us your address to receive a free* "bp cares" t-shirt? *$25 shipping” can’t help an already troubled reputation.

Where spoof accounts really have the potential to do reputational damage is when they are mistakenly picked up by media. There were red faces across CNN and Huffington Post recently when both titles reported stories based on tweets from an account that claimed to be from North Carolina Governor Bev Perdue. In the UK, the Media blog reports a Daily Mail story that Katie Price had used her Twitter account to take a swipe at new mum Stacey Solomon (the tweet actually came from a spoof account @MissKatiePriice. The real Ms Price then took her own swipe at the Daily Mail for not checking sources properly).


Faking tweets isn’t completely alien to Ms Price, who found herself at the centre of an advertising-based Twitter storm, when Mars used her to send ‘out of character’ tweets on the Eurozone debt. The tweets ended with a picture of her eating a Snickers bar, with the line: “You’re not you when you’re hungry @snickersUk #hungry #spon”. While the campaign was cleared by the ASA, ads were criticised for not marking clearly that they were sponsored.

The truth is that many spoof accounts are very funny – and make much better reading than the marketing puff of the original. There’s a lesson here for marketers – humour travels. But it’s not always a pleasant experience, so here’s our advice on how to deal with a spoof Twitter account:

1. Make it harder to spoof in the first place. Own your brand name on Twitter, and all reasonable variations of it, and manage the account so it’s visible.

2. Decide whether your reputation will suffer more damage by the spoof account, or by shutting it down (remember Nestle’s attempt to remove Greenpeace content from YouTube?). Abusive, offensive or spammy tweets from an account that purports to be from your brand is going to do you harm, and should be shut down. If it’s funny, or harmless, you could look overly confrontational by reporting it. Consider asking the account holder to make clear that the account is a spoof, to avoid genuine confusion.

3. If you feel you are being impersonated (as opposed to gently ridiculed) report it to Twitter by filing a report ticket. Twitter lists: brandmark and trademark complains; breach of privacy; copyright complaints; impersonation; name squatting among its terms violations (and of course all illegal, pornographic or spam content). 

Twitter do have a verification system in place to confirm whether an account holder is who they claim to be. Any account with a blue verified badge on their Twitter profile is a verified account.  Whether or not is effective, free to use -  or indeed in operation - is a moot point, as the recent case of the (verified) @Wendy_Deng account demonstrated in January this year.  In fact, tweets such as (to Ricky Gervais): "i think you look HOT ricky!!! (sssh dont tell @rupertmurdoch!)" weren’t coming from Murdoch’s wife at all but a bored British man living in London. 

However, let’s not be too hard on Twitter for that one.  Apparently, even News International was initially fooled:
“A News International spokeswoman said that she had had many conversations about the authenticity of Rupert Murdoch's account on Monday and if she confirmed the Wendi Deng fake account to be genuine late in the day, it was an accident.”

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May 25, 2012

What does it take to give? Great Ormond Street children need YOU!

It's that time of year again. Birds are singing, the grass is greening - and every other minute you're being asked for sponsorship for a charity run.  And to be really honest, that's exactly what this post is about.  I'm very much hoping that as it's Friday and hopefully the sun is shining where you are, your compassion fatigue is running low and you'll keep reading ...

eModeration has put another team together this year for Race for Kids, in aid of Great Ormond Street Hospital for Children, to raise much-needed funding for equipment and care. If you don't know Great Ormond Street Hospital (GOSH), it's an extraordinary place, leading the world in the treatment of childhood illness and cancers.  GOSH provides inspirational and world-class care to hundreds of children every day. But it needs to raise over £50 million every year to help keep the magic alive: sadly it just can't do all that is needed under the NHS. The hospital is battling with buildings that are nearing the end of their useful lives and must urgently be replaced. Without the current redevelopment project, advances in technology and treatments will not be so readily translated into real improvements in the care of sick children.

Take a look at what GOSH has done to tranform the lives of Lara, Georgia, Dominic and Oliver - and so many others. The money that I'm really really hoping you will pledge helps the hospital to build state of the art facilities, develop new treatments, provide the best equipment and support their remarkable patients and their families.


Running, walking, dancing and puffing their way round the 5km for eModeration will be Rebecca, Blaise, Janice, Fiona, Delphine, Anke and Lisa.  I happen to know that this run is going to be a big ask physically for a couple of them who have injuries, and as our staff live all over the world, two of the team are flying in especially for the race at their cost.  Please join me in thanking them in the best way you can - click through to their sponsorship page and help them raise £2000 for the children who need the care that Great Ormond Street can give with all our help.

Visit http://my.raceforthekids.co.uk/emoderation to give anything you can - every little helps.  I'm going to come back to this post after the race and tell you how much we raised, and put each and every one of our lovely sponsors into an eMod Roll of Honour :-)

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May 22, 2012

Top Twitter abbreviations you need to know

by Bliss Hanlin, a Community Manager for eModeration

Twitter abbreviations and acronyms are an odd mash-up of text slang, old school chat room phrases, common sense short forms and corporate buzzwords.  There is nothing more terrible than parsing a customer tweet and finding out what you once thought was a compliment was really a product slam or worse, a drug reference.  (Small personal anecdote – for the longest time, I thought HAGN was some form of Scandinavian slang for good-bye.)

While not quite a comprehensive dictionary of all things Twitter.com, what follows below is a quick-print glossary of common Twitter abbreviations.  Notice one we missed?  We would love to include it and credit you for the spot.  Just leave a note for us in the comments.

image courtesy of Twittonary.com


Technical Twitter abbreviations:
•    CC = Carbon-copy. Works the same way as email
•    CX = Correction
•    CT = Cuttweet.  Another way of saying partial retweet
•    DM = Direct message. A direct-message is a message only you and the person who sent it can read
•    HT = Hat tip. This is a way of attributing a link to another Twitter user
•    MT = Modified tweet. This means the tweet you're looking at is a paraphrase of a tweet originally written by someone else
•    PRT = Partial retweet. The tweet you're looking at is the truncated version of someone else's tweet.
•    PRT = Please retweet, a plea to put at the end of a tweet
•    RT = Retweet. The tweet you're looking at was forwarded to you by another user

Industry Twitter abbreviations:

•    EM = Email Marketing
•    EZine = Electronic Magazine
•    FB = Facebook
•    LI = LinkedIn
•    SEO = Search Engine Optimization
•    SM = Social Media
•    SMM = Social Media Marketing
•    SMO = Social Media Optimization
•    SN = Social Network
•    SROI = Social Return on Investment
•    UGC = User Generated Content
•    YT = YouTube

Conversational abbreviations:
•    # = start to a hashtag, or a way of organizing subjects on Twitter
•    <3 = heart, love
•    AB/ABT = About
•    AFAIK = As far as I know
•    AYFKMWTS = Are you f---ing kidding me with this s---?
•    B4 = Before
•    BFN = Bye for now
•    BGD = Background
•    BH = Blockhead
•    BR = Best regards
•    BTW = By the way
•    CD9 = Code 9, parents are around
•    CHK = Check
•    CUL8R = See you later
•    DAM = Don’t annoy me
•    DD = Dear daughter
•    DF = Dear fiancé
•    DP = used to mean “profile pic”
•    DS = Dear son
•    DYK = Did you know, Do you know
•    EM/EML = Email
•    EMA = Email address
•    F2F /FTF = Face to face
•    FB = Facebook, F--- buddy
•    FF = Follow Friday
•    FFS = For F---‘s Sake
•    FML = F--- my life.
•    FOTD = Find of the day
•    FTW = For the win, F--- the world
•    FUBAR = F---ed up beyond all repair (slang from the US Military)
•    FWIW = For what it's worth.
•    GMAFB = Give me a f---ing break
•    GTFOOH = Get the f--- out of here
•    GTS = Guess the song
•    HAGN = Have a good night
•    HAND = Have a nice day
•    HOTD = Headline of the day
•    HT = Heard through
•    HTH = Hope that helps
•    IC = I see
•    ICYMI = "In case you missed it," a quick way to apologize for retweeting your own material
•    IDK = I don't know
•    IIRC = If I remember correctly
•    IMHO = In my humble opinion.
•    IRL = In real life
•    IWSN = I want sex now
•    JK = Just kidding, joke
•    JSYK = Just so you know
•    JV = Joint venture
•    KK = Kewl kewl, or ok, got it
•    KYSO = Knock your socks off
•    LHH = Laugh hella hard (stronger version of LOL)
•    LMAO = Laughing my ass off
•    LMK = Let me know
•    LO = Little One (child)
•    LOL = Laugh out loud
•    MM = Music Monday
•    MIRL = Meet in real life
•    MRJN = Marijuana
•    NBD = No big deal
•    NCT = Nobody cares, though
•    NFW = No f---ing way
•    NJoy = Enjoy
•    NSFW = Not safe for work
•    NTS = Note to self
•    OH = Overheard
•    OMFG = Oh my f---ing God
•    OOMF = One of my friends/followers
•    ORLY = Oh, really?
•    PLMK = Please let me know
•    PNP = Party and Play (drugs and sex)
•    QOTD = quote of the day
•    RE = In reply to, in regards to
•    RLRT = Real-life re-tweet, a close cousin to OH
•    RTFM = Read the f---ing manual
•    RTQ = Read the question
•    SFW = Safe for work
•    SMDH = Shaking my damn head, SMH, only more so
•    SMH = Shaking my head
•    SNAFU = Situation normal, all f---ed up (slang from the US Military)
•    SO = Significant Other
•    SOB = Son of a B----
•    SRS = Serious
•    STFU = Shut the f--- up!
•    STFW = Search the f---ing web!
•    TFTF = Thanks for the follow
•    TFTT = Thanks for this tweet
•    TJ = Tweetjack, or joining a conversation belatedly to contribute to a tangent
•    TL = Timeline
•    TLDR/TL;DR  = Too long, didn’t read
•    TMB = Tweet me back
•    TT = Trending topic
•    TY = Thank you
•    TYIA = Thank you in advance
•    TYT = Take your time
•    TYVW = Thank you very much
•    W or W/ = With
•    W/E or WE = Whatever or weekend
•    WTV = Whatever
•    YGTR = You got that right
•    YKWIM = You know what I mean
•    YKYAT = You know you're addicted to
•    YMMV = Your mileage may vary
•    YOLO = You only live once
•    YOYO = You're on your own
•    YW = You're welcome
•    ZOMG = OMG to the max

Common hashtags and chats:
•   #BrandChat = private chat about branding
•   #CMAD = Community Manager Appreciation Day
•   #CMGR = Community Manger topic chat
•   #FB = The user is sending this post to Facebook
•   #FF = Short way of saying Follow Friday, or a recommendation that others follow the user
•   #in = the user is sending this post to LinkedIn
•   #LI = This user is sending this post to LinkedIn
•   #LinkedInChat = For general use questions and questions about marketing/self-promotion on LinkedIn
•   #Mmchat = Marketing and social media chat
•   #Pinchat = a chat for maximizing Pinterest use
•   #SMManners = Social media manners chat
•   #SMMeasure = For discussion of analytics and mesaurement, lead by MarketWire and Syomos
•   #SMOchat = Social Media Optimization chat lead by Stanzr
•   #SocialChat = Social media chat lead by SocialParle.
•   #SocialMedia = an all-inclusive chat for subjects big and small in the subject of Social Media



Many thanks to Business Insider, Webopedia, and the Twittonary for their excellent information that helped pave the way for this Twitter abbreviation compilation and to Mashable for the compilation of social media Twitter chats.  Looking for an explanation of Twitter terms, phrases, neologisms and slang that go beyond abbreviations?  Be sure to click through to see the awesome resources they have made available.

Read more...

May 17, 2012

Social media guide to the Olympics Part II: The Golden Rules and other practical guidelines

By Rachel Boothroyd, General Counsel at eModeration


71 days and counting to the very first 'Social Olympics' here in London.  As a social media marketing professional, do you know yet what you can and can't say about the Olympics?

In last week's blog we looked at the UK legislation that social media professionals need to be aware of when tweeting/posting/blogging about this huge global event. Check it out; but don't expect enlightenment - it's complex and in practical terms is about as clear as the muddy puddles all round London right now.

In this Part II we ask 'what does this really mean?' for those of us sitting at a keyboard, creating campaigns, moderating content, creating guidelines and making those day-to-day decisions about what we can and cannot do around the 2012 Olympics.
This post suggests some practical rules to follow for social media professionals working for brands who are NOT sponsoring the 2012 Games (that's most of us, right?) who are dealing with content that is:
(i) not created by an athlete, volunteer, official or other attendee at an event; and
(ii) not created on behalf of a sponsor brand; and
(iii) not from a private individual just doing it for fun with no commercial gain.

THE GOLDEN RULES

Part I of this blog described the broad-reaching LOAR (London Olympics Association Right).  The key to not infringing the LOAR and posting legitimate Olympics-related content is not to create an association between the brand and the Olympics.  The tricky issue is how do we create a rule for this broad, subjective test?

In my view, there are two Golden Rules: (i) post only certain types of content (from the 'you can' list below or other exemptions - see Part I); and (ii) keep a check on relative quality of permitted-category social media output about the Olympics.

For most established, active social communities, to completely ignore this huge global event would be a bit odd.  But we are not permitted to create an association.  Where does the balance lie?  I suggest that to find the permitted level, simply keep a close watch on the relative quantity of output.  One tweet (in a permitted category - see below) referring to the Olympics amongst many would probably be ok.  An intensive period of tweeting about the Olympics would not.  Essentially use this rule as a quantitative guide to help you measure the subjective test of whether you at risk of breaching the LOAR and creating an association with London 2012.

A health warning here - this quantity measure is our own 'Golden Rule'.  It is not mentioned in the legislation.  Nor is it referred to in any of the LOCOG guidance.  To us it does make most sense for social media content when applying the advertising guidance from LOCOG to non-sponsor businesses.  Essentially, social media content for brands is advertising material.  And the LOCOG guidance on advertising features states : "Do provide relevant, factual information to clients and customers in a way which does not promote your business in association with the Games.  (For example, one section on the Games amongst several in a regular client bulletin or seminar)."

Do's and Don'ts


So, with this Golden Rule always in mind, here are some more general do's and don'ts regarding the content itself:

You can (if it is not completely out of context for your brand to make a comment on a sporting event):
  • give relevant, accurate, factual information;
  • report on the facts of an event (e.g. The Olympics starts today!!);
  • state when an event is taking place (e.g. 100m race in 5 minutes).  
You should:
  • moderate pictures, video or audio from events to be posted on your social media sites by applying the special rules applying to participants and attendees as you would any other potentially copyright infringing content (see part III of this blog);
  • update moderation guidelines to cater for the Olympics legislation;
  • consider re-tweets in the same way as your own tweets when applying these restrictions;
  • be cautious, moderate and appropriate when linking to any content that refers to the Olympics.  Linking rules to London2012.com have been published by LOCOG in section 5 of their terms of use
You shouldn't (unless an exemption or defence applies (see Part I) or one of the 'can do' list above):
  • use the Olympic symbols, the words 'Olympics', 'Paralympics' or any derivation of those words;
  • use the Listed Expressions (2 from List A or one from each list - for details, see Part I); 
You mustn't:
  • run a marketing campaign to get your brand associated with the Olympics;
  • encourage Olympics themed-responses from your community;
  • run a competition for Olympics tickets;
  • give specific expressions of support (e.g. "Go Team GB in London 2012!") or excitement/enthusiasm suggesting a connection with the brand (e.g. "everyone here at Brand X so excited about the Olympics!")
  • mention a specific product or service in connection with the Games (e.g. "London 2012 athletes should drink Brand X for energy") 
  • sponsor London 2012 broadcasts or reports 

Specific types of social content


Let's get even more practical and look at the nitty-gritty of what a type of social network postings we could be talking about.  Please note: the Golden Rule about relative quantity of output (so you don't create an association and infringe the LOAR) must always be applied to each one.
Re-tweeting Olympics comments from the general public This is a super-grey area in this sea of greyness.  In our view, if a brand re-tweets a consumer's tweet then it takes on responsibility for the content in that tweet as its own.  Check out our blog on the subject.  That is certainly the view of the ASA in terms of advertising compliance.  So if you would not be permitted to say that yourself, you don't get a 'free pass' as a re-tweet.

Re-tweeting @London2012 comments
OK. 

Linking to Olympics-related blogs
Links to blogs can be seen as an incorporation of that blog.  And if it is an Olympic-related blog that does not comply with the rules above, don't do it.

Factual information about the events

OK.

Expressions of support for athletes

Avoid.  LOCOG has specifically given the example of "BRAND X supports our team at the Olympics" as a forbidden message.  So a post on a brand's social media platform expressing support (e.g. "Go Team GB!") could be interpreted as having the same impact. 

Expressions of enthusiasm about the events
OK with caution so long as not specific (see Part III of this blog) and not suggesting a connection with the brand (e.g. "Olympics opening ceremony was awesome!  Well done @London2012")

Running commentary on an event

In theory OK but likely to be difficult to follow the Golden Rule due to the intensive period of posts.  Ideally avoid.

Encouraging participation/comments/discussion around Olympic events/participants from your community
We think this would be likely to be seen as an attempt to create an association.  Avoid.

Pictures of London/stadia/crowds/events around the Olympics
Avoid if possible and if used, then apply enormous caution.  We know this means the Pinterest options are limited.  But LOCOG has said that even a picture of a runner in outline carrying something that looks similar to a torch against a silhouette of London landmarks would infringe the LOAR by creating an association.  Essentially avoid any image that suggests an association with the London Olympics.

Posts (words) on your site/Facebook page/Pinterest page other forum from your community about or from the Olympics
This one is subject to debate!   Does UGC on your site or Facebook page become a marketing communication for your brand?  One of the issues here is re-purposing.  If you select an image from a user and pin it as a brand image on, say, your Facebook or Pinterest page, you are repurposing the image as marketing material for the brand and thus bringing it within the restrictions.  This is something we've considered in our blog before.

For content posted by users but not 'repurposed by the brand', a cautious approach would be to remove this type of content just in case.  A more 'commercial' approach would perhaps be to allow the conversation to happen but not to participate in it on the part of the brand.   Keep the content under review and if it starts to take over your site/forum or Facebook page then consider removing on the basis that if it becomes too dominant it could start to create an association between the brand and the Olympics i.e. even if it is not content originated by the brand, keep applying the Golden Rules.

Posts (video, audio, pictures) your site/Facebook page/Pinterest page other forum from your community from the Olympics
This is likely to be infringing content - suggestions as to how to assess this will be in Part III of this blog.  As such, it should be treated the same as your  brand would treat any other intellectual property right infringing content and be removed.

Campaigns about sporting excellence 
If there is no reference to the Olympics in words or pictures, no reference to London but just a reference to sporting excellence, winning, running fast etc.  this is likely to be ok.   Remember to keep a watch out for use of the Listed Expressions.

Patriotic campaigns
Never have there been so many British flags featured in campaigns (or so it feels right now).  OK we have the Queen's Jubilee and Wimbledon, but the Olympics certainly contributes significantly to this flag-waving spirit.  Despite all the restrictions, participating in the general mood of patriotism that can surround the Olympics does not breach the legislation -  provided that there is no subtle suggestion or link to the Olympics.  Remember to keep a watch out for use of the Listed Expressions.

Other than that, wave your (social) flags and enjoy!  


In the final part of this series of posts on the Olympics rules (which we aim to post next week), we will look at content from athletes, volunteers, attendees and officials.  There are actual social media guidelines on this and the penalties for mis-use for those involved could be severe.  We will also examine the enforcement regime and look at how these restrictions apply internationally.  

Read more...

May 15, 2012

From the mouths of babes: learnings from children at the Digikids Conference

By Jennifer M Puckett: US Production Director at eModeration


Last month I was invited to speak on a panel at the Digital Kids Conference, held this year in Pasadena, California. Now in its sixth year (and previously known as “Engage! Expo”), Digital Kids focuses on youth online and digital entertainment, and draws industry leaders worldwide, from such brands as Disney, LEGO Group, National Football League, Cartoon Network, Ubisoft, Sony Online, Mind Candy,Google, Yahoo! Kids, The NPD Group, and many more..

Panels included topics such as: “The State of Mobile Kids”, “Family Gaming”, and and, of course, my own panel on “Tech Scaling and Toolsets”. Leaving aside my own contribution, for me the most engaging panel was the Kids Focus Group: “What Are They Playing? Where Are They Spending?”

Kids’ panels are always fun, but this panel was just such a breath of fresh air I couldn’t resist sharing the findings. Engaging as well as educational, it consisted of 10 kids, aged 5-13,  and was moderated by Jori Clarke - CEO of Circle 1 Network. Questions ranged from types of games they like to play, mobile app games they download and how they use technology in general. Below is a summary of the most interesting questions and answers:

“How many of you use a tablet, like an iPad or Kindle?” - 10 out of 10 said yes.
“How many of you download mobile app games?” - 7 out of 10 raised their hands.
“Who do you go to when you want to buy an app?” - Mom is the “soft touch” to getting money for games. However, the panel shared some best strategies for getting her to cough up the cash: making sure mom was relaxing on the couch was a good tactic ..! Doing your chores ahead of time was also quite effective. Chores ranged from making your bed to helping with dishes. Some even resorted to more emotional strategy: such as making breakfast for mom, and “being extra loving, and giving extra hugs” was a winner.

The most encouraging and thought-provoking question asked came from the audience about their online safety:

“Has anyone ever said or written anything that made you feel uncomfortable or scared?”
General consensus is that yes, all of the kids have had one or another kind of “weird” experience, but what was refreshing was how adept they were at handling the situation themselves. The most popular solutions were to mute the offender, or turn off their headphones, or remove them from their friends lists.

http://www.flickr.com/photos/wizzer/
What was not stated but clearly stood out, was how easy it was for kids to identify what made them uncomfortable, and how easily they resolved the problem. This is so encouraging for those of us that work in the field of family-friendly digital entertainment.

An interesting side-note came from the tween-aged male panelists. When asked what games they are playing on game consoles, the most popular answers were games such as GTA (Grand Theft Auto) and Mass Effect 3. Both aimed at mature audiences. So what does this mean? Are parents playing alongside their children? Are children playing these games unbeknownst to their parents, or are parents unaware of how much game content focuses on mature subject matter? Probably a combination of the three.

Whatever the reason, it is important to make note that they are in fact enjoying products with a mature context. Understanding any potential for negative effects will require much more research. I do believe that all products have a responsibility to their users’ enjoyment (and therefore, safety).  Parents would do well to understand the games their children enjoy, listen to their children talk about their gaming experiences, and educate themselves in order to properly empower their children to make smart decisions.

Most of us that work in youth online entertainment are passionate not just about engagement and fun, but also making sure that they can enjoy the products in a safe, happy and supportive environment. We tend to get so focused on those that are testing the rules, finding ways to get around our well-managed filters, and bullying others that we forget to appreciate the players that are in fact, identifying problem-people and make smart decisions about their own gaming enjoyment.

The best part of this means that the new generation of digital citizens are becoming well-equipped to continue the safety discussion and teach younger individuals (as well as us seasoned professionals!) what works, and what doesn’t, to protect and empower young people online.

These youths had a standing-room only room full of tired, conference-weary game developers, marketers, community managers and others in stitches with laughter at their blunt honesty and emotional rawness. Truly the best way to end a conference!

Read more...

May 13, 2012

eModeration LOTW: social media overload and mobile love

A social media links bonanza from a (mostly) US perspective.
Enjoy!

Shameless posting of non-related KitKat ad archived at Coloribus
It was just too good not to share.

Let KitKat post that for you
Nestle, the makers of KitKat candy bars and owners of the "Give me a break" and "Have a break, have a KitKat" tag lines, are planning on easing the social media networking upkeep burden that apparently is weighing heavily on young users by creating a service that will post random updates for them.  The software, Social Break, automatically sends random updates to users' Facebook, Twitter and LinkedIn accounts. It will be officially launched in Singapore later this week and is free to download from kitkat.com.sg/socialbreak.  "Social media used to be fun. It shouldn't be an obligation, it shouldn't be another life we have to maintain," says Valerie Cheng, executive creative director of JWT's Singapore, which was hired by Nestle to develop the app.  Asia is home to some of the biggest social media populations in the world. Socialbakers, a service which monitors usage, lists Indonesia, India and the Philippines among the top 10 countries on Facebook.

5 strategies to manage tech overload
While we feel pretty solid on the social network management front, we are getting a tad overwhelmed by the sheer number of apps, screens, dashboards, doohickeys, and tech bricks we interact with day to day.  Dean Kackridas's piece for FearlessRevolution on managing the flood is both timely and insightful. 

How people spend time online
Ever wondered how many people are online, where they hang out and what they do? 
This infographic of how people spend time online by web services company Go-Gulf takes a shot at beautifying the global stats.  (Apparently, 82% of people who use online services have searched for directions, making the rumor that Apple for iOS6 is planning on dropping Google maps in favor of proprietary mapping technology much more intriguing.)

More time spent on Facebook mobile than Facebook web
 
A recent report on the state of mobile from ComScore shows that people spend more time viewing and interacting with Facebook via the mobile version than the web version.  A total of 441 minutes per month is spent using Facebook via a mobile phone, compared to just 391 minutes per month accessing the classic full website.  This week, Facebook warned potential investors in its IPO that the more people who access it from mobile instead of the web, the worse its business is doing.  Mark Zuckerberg says that transforming its mobile and advertising experience are top priorities for 2012.  Clock is ticking on that, Mark.


(Judy Lathrop, Community Manager at eModeration, contributed to this week's links round-up.  Thanks, Judy!)

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May 11, 2012

Social media guide to the Olympics Part I: legal overview

by Rachel Boothroyd, Legal Counsel, eModeration

As the torch is lit and we approach the 30th Olympiad in London, the excitement is unmistakeable.  Add to that the fact that this is being dubbed the 'first social Olympics' and we're positively abuzz.

It may be hard to believe, but just 4 years ago there was no official integration of the Beijing Olympics with social media platforms.  At that time Facebook and Twitter had 100m and 6m users respectively.  Today's user figures are 845 million and 140 million respectively and we have sanctioned integration with the official Olympics hub.



With those factors what more perfect environment do we have for social community engagement?

But, but, but...as most of us are aware of by now, there is a suite of fiendish (not a technical legal term but you know what I mean) legislation surrounding use of anything to do with the London Olympics.  Legislation in the host country is enacted specifically for each Olympic Games, and the laws created for London are the most stringent that have ever been created and involve some concepts new to the Olympics.


Now, I'm not a novice in this area - I have a degree, a diploma in Intellectual Property and have been a specialist in this area of law for nearly 18 years - and yet to interpret the network of legislation and guidance for the London Olympic Games as it applies to social media usage is a ... challenge.  LOCOG (the organisation with responsibility and authority for the London Games) has issued some helpful guidance for brands and advertisers generally.  But the application to social media still presents particular questions.

We are aware that there a lot of moderators, community managers and agencies both in London and globally who need to know what is and is not permitted around the Olympics.   So here is Part I of our three part as-user-friendly-as-possible guide to social media usage around the Big Event.

This first blog gives an overview of the legislation, particularly as it applies to brands who have not purchased sponsorship rights to the London Olympics.

The most important question is: where is the proposed content coming from?

(i) From people directly involved with the Olympics in some way; this could be:
  • an "accredited person" (athlete, coach, trainer, official, accredited journalist)?
  • a volunteer ("Games Maker")?
  • a ticket holder in an Olympic venue?

If so, special rules apply, that last only for the Olympic Period (18 July to 15 August 2012).  LOCOG has published specific social media guidelines for this type of content.  This is a whole blog in itself which we'll post next week.

(ii) From Joe Public - are you a private individual, tweeting or blogging just for fun?

So long as you are not in category (i) above and don't get any commercial benefit from your blogs/tweets (no advertising, no affiliate schemes, no paid-for promotions, no book deals etc.), then you are pretty much free to comment and talk about the Olympics.  Although do remember that the usual rules about copyright in photos, audio and video apply and to take care with trade marks.

(iii) From brands

So that 'just' leaves the industry of social media - businesses, agencies, individuals who are creating and engaging in dialogue with their communities.  The beauty of social media is the direct engagement between brands and their customers, the ability to blur distinctions between 'them' and 'us', to genuinely participate in community together.  It is this blurring and dialogue created by social media that makes application of the legal rules surrounding the London Olympics so difficult.
This blog delves into the legal framework for this type of content.

The legislation for brands

In legal terms the key legislation here in the UK is the London Olympic Games and Paralympic Games Act 2006 ("the Act").  Countries around the world have enacted similar legislation.  For our purposes, the Act and prior legislation created two key rights:
(1) the 'Olympic Association Right' (OAR)  and 'Paralympic Association Right' (PAR); and
(2) the 'London Olympic Association Right' (LOAR).

(1) OAR/PAR is about rights to use the well known symbols and representations associated with all Olympics.  These are rights we are familiar with from previous Olympic Games.  See the LOCOG brand guidance for a full list.

(2) LOAR is a new right created specifically for the London Olympics.  The LOAR is a right to be "associated with" the London Olympics.  This sounds broad, vague and far-reaching because it is.  Essentially if whatever use of whatever content you are making might create an association for customers/users/readers with the London Olympics, this will be a breach of the LOAR.  It is the most far-reaching intellectual property right known and highly subjective.  Concrete examples are needed to understand how it works - see Part II for more detail on this.

The key legal points to know about for OAR and LOAR are:
  • infringement requires use, in the course of trade, in relation to goods or services and without the owners' (i.e. the Olympics authorities') consent;
  • if you are accused of use of the OAR/PAR (i.e. classic Olympics representations), the usual burden of proof is reversed i.e. you are guilty unless you can prove you are innocent  *gulp*;
  • for LOAR infringement, the usual burden of proof applies.  i.e. innocent unless proven guilty. 
  • defences and exemptions apply to both.  I've outlined these below.  
Other prohibitions to be aware of include:
  • no use of Olympics tickets as part of competitions;
  • no holding of conferences or seminars on the topic of the Olympics. 
The exemptions and defences to infringement
It is safe to use the Olympic symbols and words where there is a defence or exemption.  The most relevant specific defences/exemptions to the OAR/LOAR are where the content in question is:


  • a statement which "accords with honest practices" as this will not create an association.  LOCOG clarified that key factors here are: is the statement true and accurate? Is there any suggestion or implication of a connection with the Olympics? Is there any unfairness to the interests of the Olympic authorities (and presumably their official sponsors)? Is the context of use relevant? 


  • part of publishing or broadcasting a report or information about the Olympics.  This must be a genuine journalistic report.  No sponsoring of news conferences is permitted (e.g. "news report brought to you by Brand X").  LOCOG has specified that this does not apply to "marketing collateral" such as corporate newsletters.  A potential grey area is where a brand might report on events via its social media channels - we look at this in more detail in Part II of this blog. 
OAR: If you use Olympic symbols or words, warning signs should be flashing

Any commercial social media posting that includes the classic Olympic symbols or the words Olympics, Paralympics or derivations of these should be a massive warning symbol to check.  Without the consent of the Olympics authorities, use of these in any commercial social feed that is not covered by any of the Defences (see above), will be an infringement.

In essence, a good rule of thumb to apply is: always avoid the symbols and words connected with Olympics/Paralympics unless it is really nothing to do with the Olympics or it is a genuine facts-only report which is not unfair or suggesting a connection i.e. like this blog.

LOAR: we can't be 'associated with' the London Olympics - how broad is this?

The Act defines "associated with" as suggesting any kind of contractual or commercial relationship, any kind of corporate connection or provision of financial or other support (i.e. free services or sponsorship).

In our view, the broad scope of this right is, in a sense, an acknowledgement of the creativity of agencies and brands past and present.  Incidents from Olympic Games past such as Linford Christie wearing contact lenses showing a white puma (Puma were not a sponsor) at the Atlanta Games mean that the Olympic powers-that-be decided to turn the legislative approach for London 2012 on its head; instead of giving rules the London 2012 LOAR laws focus on the overall impact of any activity.

Trade mark law (generally and for previous Olympic Games) usually has specific and fairly clear rules re what you can and cannot do.  Historically, at the Olympics non-sponsor brands have always found very creative ways to get around and become associated with the Olympics without paying the huge sponsorship fees (otherwise known as "ambush marketing").  The new LOAR rules aim to put a stop to this.  For London 2012, we have a subjective, results-based approach with some general guidance.  This means there is no real way to get around it and win.  If a brand succeeds in being associated with the Olympics without being a sponsor, it is in breach of the LOAR.

LOCOG's guidance suggests that any "concerted marketing campaigns or promotional events framed around the Games" are likely create an association and thus infringe the LOAR.

So, we have a subjective, results-based test: does the brand's content or is proposed campaign likely to or intended to create an association with the Olympics in the mind of the user?  If so, it's likely to infringe the LOAR. 


There are some words to watch for to help us check when we might breach this LOAR.  These are called the Listed Expressions:
  • List A : "games", "two thousand and twelve", "2012" and "twenty twelve";
  • List B: "gold", "silver", "bronze", "London", "medals", "sponsor" and "summer". 
If you use two words from List A (e.g. 2012 Games) together or one from List A with one from List B (Gold Games), this is something that a court 'may...take account of' when deciding infringement of the LOAR.
So, another rule of thumb is watch out for combinations of these Listed Expressions and assess that content in more detail before publishing. 

 
All clear then?  OK maybe not.  In fact, what we are finding with our community management and moderation teams is that the subjectivity of the LOAR legal test means it is tough to create guidelines (although there have been some helpful publications on this, particularly this report from The Guardian and yesterday's CAP quiz to LOCOG).

What we have found very useful is to look at specific examples of what the LOAR means in practice for social media professionals.  Here is the Do's and Do's list - a handy guide to what you should and shouldn't say about the Olympics.






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May 9, 2012

How brands can engage teens online

by Tamara Littleton, CEO, eModeration

Brands are becoming quite good at connecting with adult fans online. Most know the best ways to entice fans into ‘liking’ them on Facebook or replying to them on Twitter. Targeting a teen audience, however, is a whole different challenge. An audience of teens makes for a more volatile, less predictable community. Trends that take months to play out in an adult world can come and go in days. Teens aren’t just slightly shorter adults – they’re a whole different market and should be treated as such. Teens may seem impossible to engage, but it can be done if the brand follows some basic principles (if you’d like to know more, do watch this video seminar on teenagers and social media that includes presentations from Paul LaFontaine from Sulake (Habbo Hotel), Dr Barbie Clarke, founder of Family Kids and Youth and eModeration's own Tia Fisher.)

Click on the image to go to the video
Create an authentic voice which is genuine, non-corporate and human sounding (after all, you’re not trying to engage shareholders here – it’s all about the teens). The voice needs to be true and sustainable (teens can spot a faker a mile off and there’s nothing less engaging than being patronised). Brands that succeed in crafting a voice that is in touch with this audience – who know what they want but don’t try to ‘get down with the kids’ and look foolish – can foster a genuine connection with teens. And you can use this voice to engage with your market rather more frequently than you would do with adults. Teens only go offline when forced to do so, and it’s all about ‘social’. You can become part of their ongoing dialogues with the world.

Be authentic. Teens are smart. They understand that adults make promises and break them, and that on occasion they lie. But this means that they’re also often unforgiving. Brands that lie, or break promises to their teen audience will have a lot of explaining to do. A teen who’s saved up pocket money for months to afford the latest must-have computer game isn’t going to appreciate a three month production delay. If you mess up, apologise and explain what happened. Yes, you might get a certain level of stick for your mistake, but fans will really appreciate being able to know what went wrong and what you’re doing to fix it.

Most importantly, don’t pretend to be something that you’re not. You need to be interested in them and their interests – but don’t try to pretend you *are* a teen. That’s either creepy, embarrassing or just plain unsuccessful – your audience will sniff you out, know that you don’t understand or care what they want, and will not engage.

Dialogue not monologue. It’s not about the brand. About how wonderful the brand is or what fantastic things it’s doing. It should be about the teens and what the brand can do for them. Publishing a stream of tweets advertising the awesomeness of the brand won’t do anything to achieve that. Creating conversations, or even jumping into existing conversations between fans, is a much more effective way to build a relationship with a teen audience. Asking fans for advice, what their favourite lines are in your clothes shops, or what items they’d like to see in their virtual world, are all ways to prove to your teen audience how much your brand values them. It’s always better to do than to say. If they like your brand, they’ll be happy that you’re consulting them and have taken the time to talk to them.

Mob mentality is something that brands targeting teens have to deal with every day. It’s not going to make headline news if I say that teens can, at times, be a bit on the sensitive side, and that friends have their rivalries and alliances which often spill over from the offline to the online world. Even teens who have only ‘met’ online can quickly form factions and start verbally hacking away at each other via your brand’s community. You’ll often see a mob mentality build up around a fight between a few people (almost like a playground where everyone gathered round screaming “Fight!” “Fight!” “Fight!”). What’s important is that you don’t get in the middle of this mess.

Of course, such disputes should be moderated – if community members break house rules they should be penalised – but don’t take sides in the dispute. Equally, don’t create one by asking hot button questions. Posting “The Hunger Games makes Harry Potter look like Sesame Street – discuss” or “Who do you prefer, Edward or Jacob?” might get discussion going on your Facebook page, but these questions are just as likely to create an argument which the brand runs the risk of having to referee. Whatever happens some of your fans are going to be alienated. Set clear boundaries. If you say that a type of behaviour isn’t acceptable, don’t accept it. But be consistent: nothing will outrage a teen more than inconsistent or unfair behaviour.

Research the teen market thoroughly. As I’ve mentioned, teens can detect a faker a mile off. They are the biggest sceptics in the world. The teen market is unique: trends and fashions can be in one second and out the next, while in the adult world these trends tend to change over longer periods of time. Brands targeting the teen market need to stay on top of what’s cool and what isn’t – and they need to know why it’s cool. Otherwise they’ll only have half the story – they won’t understand their audience at all.

Lastly, brands need to develop a thick skin. It’s not uncommon for teens to become enraged with a brand for one reason or another. Maybe the brand has pushed back the date of a game they’re desperate to have, or banned a user from the site for trolling. Or perhaps the brand made the mistake of insulting Team Edward. Whatever the reason, teens will often explode with rage at the injustice of it all. But they’re as likely to move on quickly, and want to return to business as usual. Ultimately, if you’re dealing with teens you have to know how they behave, and prove that you understand why – even if you don’t approve of how they express themselves from time to time.

Teens are probably even more social media savvy than adults , because they have grown up using social media. It’s in their DNA. They’re intelligent, quick-thinking multitaskers who just don’t want to buy what you’re selling. They want a genuine experience, they want to be heard and recognised by the brand. They want to be famous and anonymous at the same time and they want you to leave them alone, while not ignoring them. It’s enough to give most marketers a headache. To succeed in engaging teens, brands need to know their audience, not make promises they can’t keep, own up when they make a mistake, and, as in the real world, provide boundaries.

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May 6, 2012

LOTW: Ashton in brownface a complete brand misstep

A social media link fiesta from a (mostly) US perspective.
Enjoy!

image courtesy of Hindustantimes

Ashton Kutcher's Bollywood Fiasco for Popchips
This week, Ashton Kutcher and Popchips faced a backlash (led by tech pundit Anil Dash) against a video advertisement that had the actor (and minority stakeholder) portraying "Raj," an Indian Bollywood character, along with other assorted (and clichéd) personae.  In Anil's words, "[If] you find yourself putting brown makeup on a white person in 2012 so they can do a bad “funny” accent in order to sell potato chips, you are on the wrong course. Make some different decisions.”  Popchips chose to revise the video, but no response was made, tweeted or otherwise, for the self-proclaimed king of new media, Mr. Kutcher himself.  Read more from our own Tia Fisher  in a blog for eModeration.  For a different take, Crushable curates the Twitter responses, most of which are a zillion times funnier than the ad itself.

Toss Out the Advertising Model
We were interested in social media strategist Rawn Shah's thought-provoking piece, "What if We Tossed Out the Advertising Model" for Forbes, but wonder - where should the line be drawn between targeted messaging and invasion of  privacy?  (Thanks to SimplyZesty for including this on their weekly link roundup.)

Spam Filter or Censorship?  Facebook Explains
Like Anil Dash from above, Robert Scoble's influence in today's tech thoughtleader scene goes beyond influencer to pacesetter.  No wonder, then that Facebook lept to clarify why a seemingly innocuous comment made by Scoble to a public post was removed by an algorithm designed to limit spam with a message that stated the comment was "irrelevant or inapporpriate."  Facebook immediately began tweaking the classifier after Scoble made the snafu public. 

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May 4, 2012

Anil Dash versus Popchips - It ain't half hot Mum


In what seems like a remarkably apt fit to my recent post: When social media humour #fails - if it ain't funny, don't say it, this week it's all been about Ashton Kutcher and Popchips.

In case you missed the social media furore of the past few days (and as briefly as possible so as not to bore the rest of you) Mr Kutcher starred as a 'comedy' Indian character in an ill-advised YouTube commercial for Popchips.  Tech guru Anil Dash objected on his blog to what he - and many others - saw as the inherent racism of such a portrayal, and the social media debate was unleashed.


Anil Dash didn't want apologies, or even the withdrawal of the video.  He was after what some would regard as blood: the film left up and linked to, not an apology, but a full explanation from everyone involved in conceiving, making, promoting and reviewing the commercial as to what on earth they were thinking of.  It "revealed a much larger, more complex problem with their company and with the ecosystem of people and companies that they partner with," Anil wrote on his blog.

His success has so far been mixed: he got a private and a  public apology from Popchips founder Keith Belling; but the video was made private on Youtube, against his wishes.  And nothing from any of the other culprits in the affair, not even the normally twitter-loving Kutcher.  The offending character will be withdrawn from the upcoming outdoor campaign, but the public apology from Popchips does look rather rather like the kind of lame response that Anil said he specifically didn't want: "the usual mumbled apology for the company where they offer the bullshit non-apology apology of saying "We're sorry if anyone was offended" and then take the ad down, but continue on with the campaign, padding out the apology with a few generic tweets to a contrite blog post."


The debates, references, rehashings and picking apart of the Ashton Kutcher controversy are still wriggling around the interweb like maggots on a corpse.  Here are the ladies from The View talking it over, and Sharon Osborne putting in her ha'penny worth

So, what are we to learn from this (apart from the fact that Keith Belling types one-handedly)? 

1.  Before you go ahead with your idea of a hilarious campaign, run it past a few people of varying social, racial and cultural backgrounds first.  Your bezzy mates in the office may not be the best people to tell you want is and what is not potentially offensive (though I confess here to being gobsmacked that no-one in the entire process thought that browning up Kutcher was a bad idea.  Perhaps they all grew up on It Ain't Half Hot Mum and The Black and White Minstrel Show?)

2.  If you want to go viral, create a scandal.  I have no idea how much the PR value of the coverage has been so far, but if Belling had wanted to put Popchips in everyone's mouth (sorry, couldn't resist the pun) he couldn't have planned it better.  I'd be really interested to look at his sales charts over this period.

3.  Social media protest goes a long way - but it can't change the world (yet).  Anil Dash's list of demands was not a kneejerk response - he really wanted to make a difference.  But to be honest, I don't think we are ready for him yet ...so, for now, lame apologies it still is.

4. Be careful of associations - apparently, all of this reminded Demi Moore's publicist that it was past time to change her Twitter name -  from @mrskutcher to @justdemi ...




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